Female Old Masters out in force; Rosenquist estate sells prints at Phillips; graduate auction initiative starts low
Demand is soaring and Gentileschi has become a household name — and many more are waiting to step into the spotlight
At the National Gallery, the UK’s first retrospective of a Baroque woman painter has potent works that no male artist could have created
The Baroque painter’s London show spearheads a new wave of exhibitions with a female focus
Artemisia Gentileschi is in the public eye, and her female contemporaries are finally receiving overdue recognition
New Asian outpost for art fair group; auction sales looking good so far; Armory show cuts exhibitor costs; portraits sit pretty
The Basel family business has built a reputation for shows that mix past, modern and contemporary masters with expertise
Five films with Italian themes in highly stylised, balletic illustrations
The series reassessing reputations asks why the Italian woman is sidelined in favour of lesser artists
Jan Maxwell is at her fierce best as a 16th-century painter who takes on the Venetian authorities
History has shown that art is often a family enterprise
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