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A blockbuster expression of intimacy that mixed the power couple’s songs together with verve
The anthem has attracted some surprising covers, including by Snow Patrol and Antony & The Johnsons
Covered by everyone from Elvis to Beyoncé, the song sounds the way infatuation feels: erotic, fixated, obsessive
A poet sharing haikus on Instagram deserves as much reverence as any other
When taking to the stage you must remember you have multiple audiences
Prince’s music returns to streaming services in a reflection of shift in industry
Answer the same 20 questions as the FT writers have done, plus a tiebreaker
FT writers’ predictions, from China to elections in Germany and France
He was an assiduous workaholic rather than a conduit for a higher being
In the era of Barack Obama, Queen B has redrawn the expectations of what can be achieved by a person of colour
How business sold the soul of sisterhood
Themes of rage and empowerment dominated the singer’s immaculately choreographed show
FT pop critic reviews Beyoncé's Formation tour
Streaming service launched with fanfare struggles to catch Spotify and Apple
Each song comes with a video, turning the singer’s most thoroughly conceived album yet into a kind of musical theatre
The singer’s ‘Formation’ has been criticised as an attack on the US, writes Ludovic Hunter-Tilney
When marriage arises in today’s hits, it has a transactional focus, writes Ludovic Hunter-Tilney
The R&B megastar is fond of risky commercial decisions
The singer’s surprise fifth album is an odd blend of imperiousness and vulnerability
Behind the feints and boasts lies a great capitalist story, writes Ludovic Hunter-Tilney
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